Unlearning el M(U)Chismo Cubano
How Grotesque Imagery Reveals the Paradoxes of Post-Revolution Masculinities in Pedro Juan Gutiérrez’s El rey de la Habana and Tomás Alea’s Fresa y chocolate
Vestida de Pena
Embodied Experiences of Afro-Spiritual Knowledge in Mayra Santos-Febres and Rita Indiana